爱略特把伦敦描绘成一个“令人难以置信、令人难以置信的城市”，他的人民被死亡所束缚，他清楚地描述了战后英国人所经历的悲伤。城市不仅仅是被凝固的航道叹息群众课程通过雾固定的道路，但是军官的幽灵般的记忆像“牛仔”谁失去了他们的生命，在战争。喜欢喧哗与骚动，“荒原”的努力，把它一天的不可知论者通过其极结构和风格。通过断开线路和各种黑暗的引用，诗中介绍了一个时代，不食人间烟火和生存的保证。其余的这首诗的景象是鱼王，亚瑟王传奇中的传奇人物。他不讲年龄的不育，和他只是相信有人会问他这是什么困扰着他。在废墟中，爱略特强调，对当代人的问题是不被发现的情况下慷慨的回答方式，但在尽可能最好的查询的情况下。第一次世界大战爆发的年代无法解决它自己的特殊问题；只是重新回到以前提供的任何信任中去。这些作品传达了一个令人信服的真理：在他提升权力和调查能力的过程中，人类迷失了方向。困惑的规则和他的塔左瓦解。这就是怀疑：打破所有的尊重；忽视一个人所拥有的最有价值的东西的致命疏忽，而不是那些可以在洗漱室里装满的东西，把它们放在分类帐里。然而，爱略特看到，有信任：逃避忽略不计的迷宫不按进昏暗，但是以后过去时代的面包屑，再次向门口逃跑。这首诗的虚无主义的主要成分，可以发现，基督教和宗教作为启蒙和灵感来源的死亡，因为它是因为腐败和价值观和道德的损失越来越死。这首诗还列举了许多关于堕落的价值观和道德的例子，以及人们变得唯物主义的方式，只在整体上思考他们自己而不是人性。
澳洲查尔斯特论文代写:爱略特
With his depiction of London as the ‘unbelievable and incredible city’ whose populace has been fixed by death, Eliot plainly depicts the sadness experienced by the British after the war. The city is not just possessed by the coagulated waterway of sighing masses which courses through its mist secured roads, however by the spooky memories of officers like "Stetson" who lost their lives amid the war. Like The Sound and the Fury, ‘The Wasteland’ endeavors to pass on the agnosticism of its day through its extremely structure and style. By its disconnected lines and various dark references, the poem introduces an age in which otherworldly and existential assurance.Remaining out of sight of this poem is the Fisher King, a legendary figure from Arthurian legend. His barrenness speaks to the sterility of the age, and his just trust is that somebody will ask him what it is that upsets him.In The Wasteland, Eliot is underlining the way that the issue for present day man is not to be found in the absence of bounteous answers, however in the absence of the best possible inquiries. The age that delivered World War I couldn't settle its own particular issues; just a come back to the knowledge that had gone before it offered any trust. These works impart a compelling truth: that in his ascent to power and investigative ability, humankind lost his direction. Perplexity rules and his tower is left to disintegrate. This is skepticism: the breaking down of all esteem; the lethal oversight of overlooking that the most valuable things that a man has are not those things which can be full in a wash room, put away in a ledger. Yet, as Eliot saw, there is trust: escape from the maze of negligibility is not found by pressing forward into the dimness, however by taking after the breadcrumbs of times long past once again to the doorway and to escape. The poem’s main element of nihilism can be found in a manner that the death of Christianity and religion as a source of enlightenment and inspiration from is as it is dead because of the increased corruption and loss of values and morals. The poem also gives many examples in various sections about the degrading values and morals and the way people are becoming materialistic and only thinking about themselves rather than humanity on a whole.
