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澳洲弗林德斯论文代写:《罗宾汉》

这部电影在俄罗斯的反响并不好。在20世纪30年代,内战成为苏联电影中革命神话的焦点,就像西方在好莱坞获得了类似的功能一样,当时苏联的观众喜欢更轻、更传统的方式。问题是,只要苏联观众有选择,他们就更喜欢那些在欧洲其他地方很受欢迎的电影,并且对好莱坞大片或苏联的仿制品很满意。此外,《波将金》中没有一个观众能认出的中央英雄;这部电影的主角是集体的。虽然艾森斯坦缺乏一个中心人物,却令西方观众着迷,但它使苏联人失去了人性,他们对电影中对现实的更完美的想象不感兴趣。《波将金》在上映两周后就不得不被撤下,取而代之的是由道格拉斯·费尔班克斯主演的《罗宾汉》,这部电影在上映前就有了。

澳洲弗林德斯论文代写:《罗宾汉》

The film was not so well received in Russia. While by the 1930s, the Civil War became something of a focus for the revolutionary myth in Soviet cinema just the way the West was won fulfilled a similar function in Hollywood, at the time of its release Soviet audiences preferred lighter and more conventional faire. The problem was that, as long as Soviet audiences had a choice, they preferred the films that were popular elsewhere in Europe, and were happy with a diet of Hollywood hits or Soviet imitations. In addition, Potemkin featured no central hero with whom audiences could identify; the main character of the movie is best described as the collective masses. While Eisenstein’s lack of a central character fascinated Western audiences, it dehumanised Soviets, who were uninterested in the Cine-Eyes more perfect visions of reality. Potemkin had to be taken off after only two weeks, to be replaced with are turn of Robin Hood starring Douglas Fairbanks, the film featured before its release.