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澳洲麦考瑞论文代写:玩偶之家

“玩偶之家”也挑战了十九世纪的思维方式,即妇女的身份是由家庭中预定义的角色决定的,从而导致压抑感。欧洲十九世纪的资产阶级男子在社会上有义务对其妻子施加义务,维护他们的家庭声誉,承担所有家庭事务和困难的责任。感情的语言时,Torvald说:“几乎总是在人变坏的年轻生命,原因是一个虚假的母亲”揭示了女性要承担为孩子和家庭事务的责任,这与Nora后来决定放弃国内的生活对比。Nora的对抗社会规范优先考虑自己的自尊和需要表达她的身份是显示在服装图案的她与丈夫的最后的谈话中,“改变。没有更多的花哨的衣服。”这与Torvald的那种居高临下的语气”,但没有人牺牲自己的荣誉为孤独的他爱,”这意味着,社会条件的人把他们的声誉,更重要的不是人的感情或人际关系。她与Torvald最后的谈话中,Nora的说法,“但我会找到的,我们是正确的,社会的或我,“进一步巩固了她如何反抗,女人应该致力于维护家庭和婚姻的公众形象,以免危及男性价值观的社会规范。因此,玩偶之家提出了不愿意主流化的观点,因为易卜生探讨了抵抗社会的需要,特别是妇女的期望,以便向前迈进。

澳洲麦考瑞论文代写:玩偶之家

A Doll’s House also challenges the 19th century way of thinking about how women’s identities were determined by predefined roles within households resulting in feelings of suppression. The bourgeoisie men of 19th century Europe were socially conditioned to place obligations on their wives to uphold their reputation of their family and assume responsibility for all domestic affairs and difficulties. The emotive language when Torvald says “Almost always when people go bad young in life, the cause is a deceitful mother” reveals how women were expected to bear all responsibility for the children and familial affairs, which contrasts with Nora’s later decision to abandon this domestic life. Nora’s confrontation of social norms by prioritising her own self-respect and need to express her identity is revealed in the motif of clothing during her final conversation with her husband, “Changing. No more fancy dress.” This contrasts with Torvald’s patronising tone in “But no man sacrifices his honour for the lone he loves,” which implies that society has conditioned men to regard their reputation as more important than human emotions or interpersonal relationships. During her final conversation with Torvald, Nora’s assertion in “But I’m going to find out which of us is right, society or me,” further reinforces how she defies the social norm that a woman should dedicate herself to maintaining the public image of the household and marriage so as not to threaten the values of the male. Thus, A Doll’s House presents ideas reluctant to mainstream attitudes as Ibsen explores the need for resistance against society, especially the expectations of women, in order to move forward.