此外，在“残疾人”和“难民布鲁斯”中彻底改变了变革的信息。在“残疾”中的押韵模式是“A，B，A，C，B，C”，例如在第一节中，“黑暗”、“公园”、“灰色”、“白天”、“赞美诗”和“他”都押韵，但是，最后一节中的押韵模式变得更加不规则。这样做是为了证明前士兵的生活曾经是完美而有规律的，但现在已经变了，变得不规则了。这是相对于“难民蓝军，其中包含一个普通的一个，A，B的韵律模式。在“难民蓝军的犹太人的地位被降低为动物进行治疗比犹太人更人性化的时候，看见门开了，让猫”，自然是被证明是免费的，不像犹太人，“看到鱼游泳当作自由…走穿过一片树林，看见小鸟在树上；他们没有政治家唱得很轻松，这夸大了这一切是怎样的自由是非常接近的，他们被法律和希特勒的命令的压迫；这说明他们国家的变化。在《残疾人》一诗的开头，这个男人被描绘成与女性进行了积极而成功的互动。他是一个有吸引力的年轻人，精力旺盛、喜欢女人的注意。后来，他失去了性无能，再也不能从他曾经得到安慰的东西中得到快乐。在最后一节，最后一句强调的事实，他曾经是，赢得比赛，作为一个血涂片的骄傲，现在是一个残缺的取代，绝望的壳谁恳求拼命和无助的人来，“把他放到床上；死亡。所提供的证据证明，奥登和欧文已经利用变化的主题。
澳洲莫纳什论文代写:难民布鲁斯
n addition, the message of change has been thoroughly examined in ‘Disabled’ and ‘Refugee Blues’. The rhyming pattern in ‘Disabled’ is an ‘A, B, A, C, B, C’, for example in the first stanza the words ‘dark’, ‘park’, ‘grey’, ‘day’, ‘hymn’ and ‘him’ all rhyme, however, the rhyming pattern in the last stanza becomes more irregular. This is done to prove how the ex-soldier’s life used to be perfect and regular but has now changed and become irregular. This is in contrast to ‘Refugee Blues’, which contains a regular ‘A, A, B’ rhyming pattern. In ‘Refugee Blues’ the status of Jews were lowered as animals were being treated more humane than the Jewish people when it states, ‘Saw a door opened and a cat let in’, and nature is being proved to be free, unlike the Jews in, ‘Saw the fish swimming as if they were free…walked through a wood, saw the birds in the trees; they had no politicians and sang at their ease’, this exaggerates how all this freedom is tantalisingly close and that they are trapped by laws and oppressed by Hitler’s commands; this explains the change in their country. At the beginning of the poem ‘Disabled’ the man is portrayed to have had an active and successful interaction with women. He was an attractive young man, exuberant and enjoyed the ladies’ attention. Later on, he was left sexually incompetent and can no longer receive pleasures from the things that he once was comforted with. In the final stanza, the last lines places emphasis on the fact that the man he once was, winning football matches, being proud of a blood smear, is now replaced by a crippled, hopeless shell who pleads desperately and helplessly for someone to come, ‘and put him into bed’; death. The evidence provided proves that Auden and Owen have exploited the theme of change.
