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塔斯马尼亚大学代写作业:拍觉同步的研究

塔斯马尼亚大学代写作业:拍觉同步的研究

一个所谓的打或脉冲在音乐的感知,并同步运动,这种脉冲的能力被认为是,直到最近,居住在人类(米克B.,1999-2000)。这反应节奏夹带或打感知同步(BPS)的一个特定的脉冲是一种普遍现象生成的文化世界(Nettl,2000)(工程,2006)。除了少数人被诊断患有音盲打聋,谁找到音乐经历“困难”(斯图尔特,2011);感知的能力和节奏夹带的音乐内容在听觉刺激是常见的所有听众,不管他们的音乐环境,文化,或抚养(帕特尔,2006)。

对于一个脉冲的感知和夹带的能力人类的文化,一些学者开始认为击败感知现象已经进化的目的,在人类发展史中一个重要的角色是如此普遍(出,2011,p. 127)。击败感知可以几乎在不知不觉中由谁似乎天生就能够从听觉辨别人类取得的数据脉冲(针2011)。音乐与进化的猜测(交叉,2008)有一个困难的关系。除了音乐,有争议的描述和寄生其他认知机制的分支或“听觉上的奶酪蛋糕”由著名Stephen Pinker提供(1997,p. 534)在借鉴音乐的意义的进化历史,音乐的进化价值的研究似乎是不确定的(交叉,2003)(休伦湖,2003)。击败感知同步(生物体拽它的运动有规律的脉冲的能力)一直深受心理学家和音乐家都作为一个强大的竞争者提供了一个音乐的进化重要性理论

塔斯马尼亚大学代写作业:拍觉同步的研究

The perception of a so-called beat or pulse within music, and the ability to synchronise movements to this pulse was thought, until recently, to reside only in humans (Merker B. , 1999-2000). The evidence for this response of rhythmic entrainment or beat perception synchronisation (BPS) to a particular pulse is a near universal phenomenon spanning cultures worldwide (Nettl, 2000) (Repp, 2006). Aside from a small minority of individuals who are diagnosed with beat deafness amusia, who find musical experiences ‘difficult’ (Stewart, 2011); the ability to perceive and rhythmically entrain to musical content within an auditory stimulus is common to all listeners regardless of their musical environment, culture, or upbringing (Patel, 2006).

The ability for the perception and entrainment to a pulse is so widespread among human cultures that some researchers have begun to argue that the phenomenon of beat perception has an evolutionary purpose and an important role in human developmental history (Changizi, 2011, p. 127). Beat perception can be achieved almost unconsciously by humans who appear to be innately able to discern a pulse from auditory data (Juslin, 2011). Music has had a difficult relationship with evolutionary speculation (Cross, 2008). Aside from the controversial description of music as and a parasitic offshoot of other cognitive mechanisms or ‘auditory cheesecake’ provided by the eminent Stephen Pinker (1997, p. 534) in reference to the significance of music to evolutionary history, the study of the evolutionary value of music appears to be inconclusive (Cross, 2003) (Huron, 2003). Beat perception synchronization (the ability of an organism to entrain its movements to a regular pulse) has been enthusiastically received by psychologists and musicians alike as a strong contender for providing a theory of the evolutionary importance of music